Showing posts with label sketch of the day. Show all posts
Showing posts with label sketch of the day. Show all posts

Saturday, May 19, 2012

Sketch(es) of the Day: Cambiasi Exercises

Today was another one of those experimental art adventures. This time I cracked open my Moleskine and made some messes. I discovered the sketches of Renaissance painter Luca Cambiasi. They intrigue me; I was trained in a modern drawing style which emphasises gesture and mark-making. My natural inclination is to realism, and here I find the two in harmony, which is something I continually strive for: expression and precision of each mark I make. And these are meant to help the artist solve visual problems. I'm hoping to use this technique to improve reference material.

I tried using the kuretake waterbrush I have inked up with a grey wash but it was very dry on the Moleskine paper, so I switched to the Aquash waterbrush. I stroked the tip of a charcoal grey Derwent inktense pencil to produce the ink tones. Also, the Noodler's black ink reacted with the water since I did not give it time to set in. This wasn't a great way to be accurate but I still got plenty of visual information down.
Pieta sketch by Luca Cambiasi

Thursday, May 17, 2012

Sketch of the Day: Dilly Daisy

Yesterday, it was my turn to run the shop at the Back Room Gallery. Whenever I had a moment or two to myself, I worked on this little sketch of my view from the cashier a display of clothes by Dilly Daisy. The colours actually look brighter and fresher than this in my sketchbook (and, of course, in reality!). I rather like the effect of mixing Caran D'Ache with Winsor and Newton artists' watercolours. The Caran D'Ache crayons, used as paint pans, can be stunning in their intensity and the chroma is amazingly high. When I have the pennies to, I'll be getting more crayons. They're fantastic!

Friday, May 11, 2012

Sketch of the Day: New Sketchbook


When I open a new sketchbook, I like to go straight to the back and make some test charts to see how the different tools work on the paper. I just finished my last sketchbook and am starting in a new watercolour Moleskine sketchbook. Instead of making little ordered grids of squiggles, I thought it would be fun to sketch the supplies using the supplies! Easier said than done, it turns out. It sure was fun, though! The pens turned out very bendy, which amuses me (need to remember to wear my glasses next time). I forgot to use the Aquash waterbrush, but otherwise I kept to my rule: the Winsor and Newton paints are just that, same with the Neocolor watersoluable crayons. This is the first time I've tried to use them like gouache. I had swapped the white for ultramarine, but I found it fun to add white touches here and there for a different effect.

For the sake of completeness, these are two examples of the same exercise using the Aquash waterbrush, both from when I was just getting used to it. In fact, I was starting to believe I wouldn't like to use it; it seemed like a lot of water and very little control. But I did get used to it, or it to me!